Alice returns to where the nightmare began: The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.
One could argue that all the extra story lines and characters are red herrings.
However, that would imply that these elements at one time seem important. The movie is nothing more than generic throwaway monsters versus shallow throwaway heroes. For instance, to signal how they'll attack the creatures the soldier use drumbeats to unify their action quickly.
Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city.
But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.
This would allow the monster to see and judge depth especially during the great-height wall battles against the Nameless Order. The rules to get into Chinese theaters are long and complex and the rules as to how much money an American studio can make from those theaters is even more complex.
Predators need this depth perception to track and pursue prey. So, US-Chinese co- productions like The Great Wall could become the rule rather than the exception.
Speculations of a divorce have been going on since as early as last October.
Busying themselves with filming and expressing their lack of interest in having children, the media speculated that their marriage was heading for collapse.
Its current design suggests that IT could be the prey. Consequently, the story behind how a movie like The Great Wall gets produced, is way more interesting than the movie itself.
See more » : I fought for Harold against the Danes. The Great Wall is movie where things happen not out of natural plot development or character motivations, things happen because the script says they happen.
I watched trailers for this movie and although I didn't expect great art, I did think it could be dumb fun.