Tim and Missy started working in earnest as a writing team in 1996, when they collaborated on most of Aaliyah's One in a Million.
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"If you listen to my songs, they tell stories," Missy Elliott has said.
"I write almost as if I'm in conversation with somebody." The crucible of her collaboration with Timbaland was the Swing Mob, a loose constellation of performers and producers who worked with Jodeci's De Vante Swing in the early Nineties.
Or softer, depending on how you look at it." Westerberg has his own explanation for his unique underdog genius: "I think the opposite when I see something," he once said.
"I have dyslexia, and I've used it to its best advantage." With a talent for wordplay that can be as head-spinning as it is disturbing, and a knack for incessant sing-song choruses that suggest he might've thrived in a Brill Building cubicle, Eminem crams hugely popular songs with more internal rhymes and lyrical trickery than anyone else in contemporary pop.
"Each song had to be different," Andersson said in 2002, "because, in the Sixties, that's what the Beatles had done.
The challenge was to not do another 'Mamma Mia' or 'Waterloo.'" Ulvaeus's lyrics grew progressively darker over the course of Abba's career, even as the band became so unbelievably popular that they were able to release an 18-song greatest hits album simply called Number Ones.
Benny and Björn had already been a songwriting duo for six years when they teamed up with their girlfriends Anni-Frid Lyngstad and Agnetha Fältskog — who were both Swedish pop stars already — to form Abba.
The two of them were hardcore about songwriting: they bought a cottage on the island of Viggsö where they could focus on making their music and lyrics as catchy as humanly possible.
Maybe it's his family's blue-collar background or the years he spent delivering mail before becoming a full-time musician.